Ellen Jantzen was born and raised in St. Louis Missouri. Her first college degree was in graphic arts; later emphasizing fine art. In 1992, after a move to Los Angeles California, she graduated FIDM (the Fashion Institute of Design and Merchandising) with an advanced degree in fashion. She worked for several years at Mattel Toy Company as a senior project designer, but became disillusioned with the corporate world and longed for a more creative outlet. Having been trained in computer design while at Mattel, she set about to learn Photoshop.
As digital technology advanced and cameras were producing excellent resolution, she found her perfect medium. It was a true confluence of technical advancements and creative desire that culminated in her current explorations in photo inspired art using both a camera to capture images and a computer to alter and manipulate the pieces.
For more check out her profile at Saatchi Art.
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Fortunio Liceti (1577-1657) was an Italian philosopher, doctor and scientist. He studied medicine and philosophy at the University of Bologna before becoming a lecturer of logic at the University of Pisa and then a professor of philosophy at the University of Padua. Liceti was omnivorous in his interests writing books on mathematics, philosophy, astronomy, genetics and disease. He was friends with Galileo and the mathematician Bonaventura Cavalieri, who once remarked that Liceti was such a prodigious scholar that he produced a book a week. It’s certainly true that Liceti did have a rather impressive output of scientific and philosophical texts during his life ranging on subjects as diverse as the immortality of the soul, gem stones and the causes of headaches (which he thought were the microcosmic equivalent of lightning).
His most famous work was De monstrorum causis, natura et differentiis (Of the causes of monsters, nature and differences) that documented the many “monstrosities” and deformities reported in nature. The book chimed with the public’s interest in “monsters” and “freaks” and Liceti documented all of the stories of man-beasts, mermaids, wolf children as well as the physical abnormalities he had witnessed (co-joined twins, multiple-limbed children, hermaphrodites and alike). Liceti did not consider these “monstri” as abnormal, but rather as attempts of nature to fashion life as best as possible, in the same way an artist would create art with whatever materials were available.
It is said that I see the convergence of both Nature and art, because one or the other not being able to make what they want, they at least make what they can.
He was also the first to posit the idea that fetal disease could lead to abnormalities in children.
De monstrorum causis, natura et differentiis was first published in 1616 without illustrations, a lavish illustrated second edition was published in Padua in 1634, with a further edition De monstris (or what you might call the mass market edition) was produced in Amsterdam in 1665. It is from the last edition that these incredible images are from.
For over a year, photographer Pierre-Elie de Pibrac was embedded with the ballet company of the legendary Paris Opera, where he compiled a series of long exposure shots named “Catharsis.”
Though you can’t always make out individual figures, the vibrant costumes combined with the dancers’ movements create these lovely abstract photos.